Dance

  • Dance

    Acosting Fame

    Carlos Acosta, arguably the best ballet dancer of his generation and London’s most famous Latino, looks back on his thirteen years in London, during which he went from the Royal Ballet's principle dancer to global ballet mega-star, on a par with Mikhail Baryshnikov and Rudolf Nureyef. With Hollywood studios knocking on his door, Carlos contemplates, exclusively to Candela, how London helped make him the legend he's become, life after the Royal Ballet and Cuba's after Castro.

  • Dance

    To Flip or not to Flip? The Capoeira Debate

    Tradition versus progress. Authenticity versus evolution. In tackling the great Capoeira debate – whether acrobatics orientated Capoeira means abandoning its roots - Helen Lima de Sousa goes to the core of what Capoeira, and tradition, really is.

  • Dance

    Only Room for One Latin Diva?

    Ever since Yanet Fuentes, the only Latin American ever to grace the UK’s prime-time talent shows, left the BBC’s 'So You Think You Can Dance', the blogosphere has been awash with outrage at judge Sisco Gomez's comment. The Colombian-Brit’s conspicuously personal attack as Yanet opened the show apparently sealed her fate. Was it a case of protecting his spot as the UK danceworld's favoured Latin Diva? In her most revealing interview yet, Yanet gave us the inside story

  • Dance

    It Takes Two Worlds to Tango

    Representatives of 25 countries converge on the River Plate for the Third World Tango Summit.

  • Dance

    Did Salsa Dancers Kill Salsa Music?

    Salsa promoters and musicians alike are lamenting the demise of live Salsa music as a culture and commodity people will pay to see. Some even blame the salsa dance and club culture which, they say, got cliquey with its over-technical criteria and hierarchy. In this investigation we explore the issue and open up the debate for the first time. Where do you stand in it?

  • Dance

    We haven’t killed Salsa! Part 1

    Earlier this year we published a piece 'Did Salsa Dancers Kill Salsa Music?' which generated much controversy. In a passionate response, Kerry Ribchester argues that we haven't killed Salsa, we are more in love with it, and on a deeper level, than ever. The problem is one of confidence, not disinterest

  • Dance

    Freedom Control

    Whilst the dazzling visual impact of muscular control and freedom can be startling and seductive, Tam Davidson peels away the mysticism of Capoeira to reveal its’ development through one people’s struggle against slavery.

  • Dance

    A Deeper Love

    In Part two of her response to the article 'Did Salsa dancers KIll Salsa Music', Kerry Ribchester argues that Britain's love affair with Salsa (Cuban salsa atleast) has not died but evolved. Like with any true love, there are diferent stages: after an initial craze a deeper relationship evolves. And our appreciation for the music is part of the new mature phase of this relationship.

  • Dance

    The Passion Lives On

    In conjunction with their performance of Fuenteovejuna at Sadler's Wells, the dancers of the Antonio Gades company will be giving a free workshop to mere mortals at the Instituto Cervantes. Vera King uncovers the legendary Flamenco dancer and choreographer, founder of this great company, who most famously brought us Carmen to the film screen.

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