An inspired Cuban Production of Bizet's Carmen

Cuba's natural setting, with its own historical and cultural drama, and the plethora of high quality performing artists, singers and musicians make for a triumphant production of Bizet's Carmen.
by David Wright
Image

The story of Carmen is among the most enduring of all opera. It is nearly 150 years since Bizet’s ‘Carmen’ was first staged and 70 since  Oscar Hammerstein transposed it to the US' deep South and set it in the African-American community.  Now British director, Christopher Renshaw, has teamed up with Cuban-American Alex Lacamoire to set it in Cuba and in the context of the 1958 Revolution.  The story has lost none of its drama and intensity in its travels, and the exuberance of Cubans and exciting beat of its music provides the perfect setting for this adaptation of Bizet’s opera.   

The production team assembled by Renshaw has been able to count on the outstanding quality of Cuba’s highly trained artists to assemble
an all-Cuban cast for this spectacle, blending artistic professionalism with inspired singing, dancing and acting. The result is a triumph.

One innovation, the introduction of a narrator in the person of 'La Señora’ played by the celebrated Cuban singer Albita Rodriguez, adds drive to the story's dark conclusion and tragic end and allows the choreography to incorporate references to Santeria, the ritualistic religion that blends elements of African worship with Catholicism and which took root in the Caribbean.

Dominating the story is Luna Manzanares Nardo, perfectly cast as Carmen la Cubana, with her sensuous mixture of outright defiance of male dominance and authority and the quest for perfect all-embracing love, prepared to die rather than settle for anything less. Her male suiters, the soldier Jose and the boxer El Nino, can only offer less and so are discarded. Carmen has little to learn from today’s feminists.

How faithful Carmen la Cubana is to Bizet’s original is summed up in Bizet’s words uttered in 1875, three months before he died, to describe the hostility of the audiences of those days: ”all these bourgeois have not understood a wretched word of the work I have written for them”. Carmen La Cubana is today’s proof of how right he was.

Carmen La Cubana is on at Sadlers Wells until August 18th. You can buy tickets here

 

Related Articles

Image
Pioneering Black Latina Artists

Recently we published a list of Black Heroines of Latin American History, Afro-Latinas who put their lives at risk, and in some…

Image
THE LUKAS ARTS WINNERS

After two month of voting by the public and expert judges, here are the LUKAS Winners For Outstanding Contribution to Theatre,…

Image
Latin Londoners of 2018

As Latin artists are making the mark ever more indelibly in the UK, we celebrate those who stood out this year, earning the…

Latest Content

Image
Gabriela ( 2024 Evelyn Lorena
Film & Theatre
Gabriela (2023) Oscar-qualifying short film by Guatemalan-American…

Gabriela, a young Guatemalan undocumented immigrant struggles to fulfill her dreams of becoming a…

Image
Film & Theatre
MAGDALENA, TE AMO (2024) by Andrea Calao

‘Magdalena, Te Amo’ (2024) is a moving short film about student sex workers in New York. Premiered…

Image
Power Alley (Levante- 2023) by Brazilian director Lillah Halla
Film & Theatre
Power Alley (Levante- 2023) by Brazilian director Lillah Halla

Lillah Halla is emerging as the new kid on the block in Brazil with her opera prima, Levante (Power…

Logo

Instagram

 

Most Viewed

Image
Top 10 Argentine Footballers

As one of the biggest football teams in South America and the world, the Argentine Football…

Image
Top 10 Mexican Boxers

Globally, Mexico is known as a boxing powerhouse, boasting some of the greatest champions in the…

Image
Ballads and Boleros
LatinoLife's Favourite Mexican Male Singers of all Time

Since the days when Mexico was a serious rival to Hollywood in terms of film production and quality…